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by Ralph Payne-Gallwey. Softbound, 400 pages, 7-1/4" x 10-1/8". One of the most devastating weapons of the Middle Ages, the crossbow fired a 12" bolt capable of piercing all but the strongest armor. This fascinating illustrated study traces its use in both medieval and modern times as a military and sporting weapon. This text also covers related weapons including balistas, catapults, and the Turkish bow. Over 240 illustrations.

by Ted & David Bacyk and Tom Rowe. Hardbound, 312 pages, 8" x 11". In this continuing volume, the authors cover the smaller companies, the agents and the retailers that were such an important part of the gunpowder trade. Again, the majority of the examples shown are from the Bacyk collection but another major source has been found in the Hagley Museum & Library which is conected to Dupont and offers many extremely rare examples. Samples from a few individual collectors are also included. Large photos, mostly in color show minute details of cans and labels. An invaluable reference for the powder can collector.

by by Tom Grinsdale. Softbound, 170 pages, 8-1/2" x 11". Tom Grinsdale, Author of best-selling book Flintlock Fowlers, The First Guns Made In America, has gathered together over 180 different horns, most of which have never been published, for this fresh look at powder horns as "documents of history." More than 430 full-color, glossy photographs and Grinsdale's concise background text bring the artwork of the horns and their historic context into focus. A must for every artist, collector and historian! 

by Jim Stevens. Softbound, 176 pages, 8-1/2" x 11". Learn to create beautiful and functional powder horns. 275 Close up, detailed, full-color photographs illustrate working, shaping, decorating and finishing techniques. Historic and modern tools and equipment are introduced with techniques thoroughly discussed for both methods. Leather strap weaving and brading methods are also provided for carrying the finished horn in an authentic manner. Photo gallery shows finished powder horns and a contact list for featured artists. No better resource for the craftsman seeking to make an authentic, functional powder horn.

by Eva Halat. Hardbound, 240 pages, 8-1/2" x 11". The roots of scrimshaw lie in the traditional art of whaling men of the 18th and 19th centuries, but it has developed as a recognized art form. With over 700 photographs, this book presents a history of scrimshaw, provides instruction on carving and decorating beautiful scrimshaw, and displays a galley of 45 international artists. A great reference for artists, collectors and anyone interested in this ancient art.

by Jim Stevens. Softbound, 64 pages, 8-1/2" x 11". Continuing where he left of in his first book with over 130 clearly detailed color photographs illustrating ivory carving with hand and powder tools, color and power engraving and painting, and practices in the care, conservation, repair and restoration of ivory scrimshaw objects. Practical instructions on carving and decorating, with detailed text providing vital information on scrimshaw fakes, reproductions, resources and appraisals. For scrimshaw carvers, this book is vital.

by David Hayden-Wright. Hardbound, 9" x 12", 329 pages. This is the preeminent reference on antique English knives. The text contains much previously unknown historical information about cutlers and their art. Covers the earliest history of Sheffield, England, a directory of 19th century cutlers names, and many groups and types of knives, from the most humble penknife to magnificent exhibition pieces. Includes the history of the American Bowie as well as pocket knives, farriers, smoker's and quill knives and curiosities. Over 300 full-color photographs as well as hand drawn illustrations.

by Joe Keeslar. Spiral bound, 127 pages, 8-1/2" x 11". What started out ot be an introduction manual for the Handles and Guards class of the American Bladesmith's Society turned into something much more spectacular. Once the blade is finished, this manual will enable the knifemaker to finish his project with the proper handle and guard. Topics such as handle material, nomenclature, and finishes are discussed. From the simple wooden handle to the fluted and spiral handles with twisted wire accents, embellishments, decorative file work, engraving and wire inlays. Clear, definitive line drawings illustrate each step. From beginner to more advanced knifemakers, everyone will find useful information in this manual.

by Al and Ann Stohlman. Softcover, 8-1/2" x 11", 116 pages. This volume presents some new construction techniques not offered before. Patterns for the shoulder tote and flight bag are given with different assembly methods. Also included are cases for: cordless phones, video cameras, saddle scabbards, scope scabbards, full length zippered gun cases, guitar cases, and golf bags. Illustrated with black and white photography and line drawings throughout.

The most memorable events of the American Revolution come to life in this action packed activity set. Includes five coloring books: George Washington, Uniforms of the American Revolution, Story of the American Revolution, Heroes and Heroines of the American Revolution, and Life in Colonial America, an 11" x 17" color-your-own poster, and full color Decloration of Independence poster. Also includes crayons and 28 old time patriotic stickers. A $27.00 value.

by Elsie Maclay. Hardbound, 34 pages, 9-1/4" x 12-1/4". In The Forest Has Eyes, children are invited to the many stories which artist Bev Doolittle layers into her award-wining paintings of Native Americans and the Western wilderness. In the painting The Forest Has Eyes, a mountain man passes through carefuly through Indian territory. He is alone, but he is surrounded by the faces of the Native Peoples, in the stones and in the thick, leafy branches of the forest. Author Elsie Maclay has written the perfect companion text to Doolittle's paintings.

by Bev Doolittle with text and poems by Elsie Maclay. Hardbound, 9-1/4" x 12-1/2", 160 pages. This beautiful book is a definitive work, presenting all the artist's published prints, plus earlier paintings, many seen here for the first time, all reproduced in full color plus numerous sketches, color studies and photographs. Each work is paired with beautifully written text and poems by literary master Elsie Maclay.

Text by Elmer Kelton. Hardbound, 160 pages, 9-1/4" x 12-1/4". Known for his art documenting Plains Indian history, his mastery of color and his ability to evoke emotion in his viewers, Howard Terpning has become synonymous with Native American art. This beautiful book is a spectacular overview of his work, presenting reproductions of paintings from throughout his career, all splendidly reproduced in full color.  

by Barbara Alice Mann. Softbound, 295 pages, 6" x 9". Throughout the war, the unwavering goal of the Revolutionary Army, under George Washington, and its associated settler militias was to break the power of the Iroquois League, which had successfully held off invasion for the previious two centuries, and the newly formed Ohio Union. To destroy the Natives who stood in the way of land seizure Washington organized a series of rampages intended to destroy the League and the Union by starvation. Barbara Alice Mann tells how, in the wake of massive assults, Native America won the war in the West and managed to maintain control of the land west and north of the Allegheny-Ohio River systems. 

by Alan Fitzpatrick. Softbound, 6" x 9", 375 pages. Based on 144 never-before-published primary source documents from the Haldimand Papers of the British War Library. The reader will hear the voices of Native American chiefs and war captains as they responded in council to "the quarrel between white brothers", the verbatim speaches of dozens of orators from a host of Indian tribes. Appealing to the scholar, the student of the American Revolution, the history buff and those who wish to learn more about American native peoples from a by-gone era.

by Zitkala-Sa. Softbound, 89 pages, 5-1/2" x 8-1/2". Perhaps the first work of literature by an American Indian that did not involve a non-Native collaborator, this important collection includes wistful autobiographical tales, traditional short stories, and pointed political writings. The author, a Sioux woman who left her reservation at the age of 8 to attend a harsh Quaker school struggled to find a balance between her heritage and American culture. These stories are a testimony to her triumph over hatred and disillusionment.